Technique Tips Michelle Nelson Technique Tips Michelle Nelson

How do I play the D chord?

The D chord is one of the more difficult chord shapes for guitar beginners. The position the fingers need to be in feels awkward at first, and it’s hard to get all of the held notes sounding clear. Here are some practice suggestions to help you develop a reliable D . . . .

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Song Guides Michelle Nelson Song Guides Michelle Nelson

How to play L’amour de Ma Vie by Billie Eilish

L’amour de Ma Vie is an old-school Pop progression featuring a laid back, medium-tempo rhythm that gives way, somewhat unexpectedly, to an EDM nightclub feel late in the track. The chord progression features old style ii-V-I harmony with a nice mix of open-position and bar-chord forms, making it a great chord progression for intermediate players.

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Song Guides Michelle Nelson Song Guides Michelle Nelson

How to play Crazy On You by Heart

Crazy On You by Heart is a great song for acoustic and electric guitars. A 1970s Rock classic, it features Nancy Wilson on acoustic guitar, her sister Ann Wilson on vocals and comes from Heart’s breakthrough 1975 album Dreamboat Annie that launched them to worldwide success.

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What's the best way to hold a guitar pick?
Technique Tips Michelle Nelson Technique Tips Michelle Nelson

What's the best way to hold a guitar pick?

Holding a guitar pick comfortably is one of the first things you need to learn for acoustic steel-string and electric guitar playing. It’s easy to feel a little awkward with at first ; a pick is a small piece of plastic that seems to move around by itself. Learning the right grip is essential.

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Technique Tips Michelle Nelson Technique Tips Michelle Nelson

How do I improve my F bar-chord?

F is the most difficult chord for beginner guitar players. There just isn’t an easy alternative for it, we’re sorry to say! The common open-position F is awkward because the index finger needs to be flat across strings 1 & 2 whilst the other fingers need to be on the fingertip. This is genuinely difficult to learn . . .

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